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Program of the XXXVI RSACS Conference "Nature and Sustainability of Culture"

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Program

XXXVI International Conference of the Russian Society for American Culture Studies

Nature and Sustainability of Culture

Moscow, December 3-10, 2010

 

Section 1. Journalism

Coordinators Dr. Yasen Zassoursky and Dr. Mikhail Makeyenko (MSU, Russia)

 

1. Lydia Zemlyanova

MSU Journalism Department, Russia

Mediaecological Theme in Modern Communicativistics

 

Research of the information communications role for the preservation of the environment develops now in many countries when there appears a necessity of dealing with ecological threats. The present paper is focused on Communicativistics as a discipline with methodological experience, capable to make a valuable contribution to solving many mediaecological problems for the humankind in our time and in the future.

 

2. Rob Levy

St. Louis, USA

Bing Crosby’s “Brother, Can You Spare A Dime?” as an Anthem of the Great Depression

 

3. Andrew Ruskin

MSU Journalism Department, Russia

The US President Barack Obama’s Communication Strategy: Mass-Media Coverage of Ecological Problems (on the example of Mexican Gulf Oil Spill)

 

4. Nikolai Zykov

MSU Journalism Department, Russia

“Voice of America”: Genre of Travel Notes in the New Multimedian Culture

 

Travel notes are often used among other genres of the VOA Russian service’s materials. In the new, transforming to the audiovisual format they became more attractive for the audience. Possibilities of visual information, printed text, video and narrator’s voice are combined. Recent materials were telling about the Yellowstone National Park and California. Modern form of travel notes combines traditions and new media from authors’ original perspective.

 

5. Natalya Golovanova

National TV and Radio Committee, Kiyev-Kharkiv, Ukraine

Owen Johnson and the Latest Trends in American Journalism. Free News and the Natural Craving to Know

 

For 10 years circulation of U.S. newspapers diminished by an average of 20%. Every fifth journalist lost a job, many newspapers and magazines were closed. There are different models for the survival of the press. In some countries there are programs of state support for newspapers. But due to the fact that the production of news in general regardless of the media is increasingly becoming a public and profitable business and demand is not decreasing American journalists are still actively looking for ways to produce quality news. Professor of the School of Journalism at Indiana University USA Owen Johnson is in the very midst of the process. In December, 2009, he spoke at the Faculty of Journalism of the Moscow State University and then our dialogue has continued and resulted in a series of interviews.

 

 

6. Svetlana Orekhova-Tibbits

Academy MNEPU, Moscow, Russia; Tibbits Historical Foundation, USA

Information Capsule of an American Consumer of Nature and Culture

 

Taxes and the market structure American consumers, developing the taste in the Culture and influencing relations with Nature. Pragmatism forces Americans to be informed and keep going in an information capsule, formed by everyday economic demands. An example is the Tibbits family (cf. catalogs of the Library of Congress, NY State Archive, Albany Institute of History and Art, Rensselaer Historical Society in Troy, NY, Tibbits Historical Foundation): 18th c. – artist William John Badger, 19th c. – Congressman George Tibbits, Union General William Tibbits, 20th c. - Tibbits Cadets, William Badger John Tibbits, Sr., Pentagon, 21st c. – Michael Lewis, Wall Street, Svetlana Orekhova-Tibbits, International Independent Ecologo-Politology University, Tibbits News Service… To diminish taxes the Tibbits family donated in 1953 to New York State 883 acres of land which had owned for 150 years. Now it is Tibbits Forest.

 

Section 2. Nature in the Nineteenth Century American Culture

(The concept of Nature and its evolution from Romanticism to Naturalism.

Its reflection in literature and art)

Coordinators Dr. Elvira Osipova (St. Petersburg State University, Russia) and  Dr. Tatyana Alentyeva (Kursk State University, Russia)

 

1. M.A. Filimonova

Kursk Institute of Social Education (branch of) Russian State Social University, Kursk, Russia

Natural and social in the image of America of the late 18th century

 

Initially image of America in the European consciousness includes such concepts as "Golden Age", "state of nature". For Europeans, no less than for Americans of the end of 18th century opposition of America and Europe as embodiments of the natural and the social is characteristic. Innocence, naiveté, equality are considered characteristic for America, depravity and luxury are peculiar to Europe. Revolutions of the late 18th century give new measurement to the problem. The American revolution in perception of contemporaries becomes some harmonious continuation of motives of "Golden Age", the French one is perceived as a courageous and risky experiment in returning of the "old", "corrupted" country to a naturalness ideal.  

 

2. Alla Savchenko

Voronezh State University, Russia

Man and Сivilization in the Poetry of Henry W.Longfellow.

 

3. Tatiana Borovkova

Voronezh State University, Russia

“Nature is what we know”: Nature in the Poetry of Emily Dickinson

 

4. Alexandra Stankevich

Vladimir State Humanitarian University, Russia

Nature in the Poetry of Emily Dickinson

 

As many authors observe Emily Dickinson experienced the influence of transcendentalism that declared poetry to be a universal way of cognition of the world seeing the metaphysical concept of nature as its basis. Matching different spheres of human experience, Dickinson’s metaphorical "learning" mentality synthesizes the imagination and intellectual effort like they did in the European baroque poetry. The human and natural worlds are autonomous, because of the purely religious character of the poetic thought. The Image of nature in Dickinson’s poetry testifies her being not a romantic poet but rather a poet following the way of the English religious poetry of 17th century.

 

5. Elvira Osipova

St.Petersburg State University, Russia

Images of Nature in the Works of Margaret Fuller, Henry Thoreau and Edgar Poe

 

Thoreau’s book A Week on the Concord and Merrimack Rivers, his early essays, Fuller’s book Summer on the Lakes, in 1843, and Poe’s landscape tales of the 1840s testify to the fact that there were two distinct concepts of nature, namely, Romantic and “anti-Romantic”. The images of nature in the writings of Thoreau and M.Fuller were created in accordance with the Romantic aesthetic, whereas Poe’s landscape tales signify his breaking up with the canons of Romanticism.

 

6. Maria Sirotinskaya

RAS Institute of World History, Russia

Young Americans in the U.S. Urban Genre Painting of  mid-19th Century

 

Representation of young Americans - of urban children and adolescents, in particular of newsboys, vendors, bootblacks, of youths with newspapers - by genre painters in the antebellum period (H.Inman, F.Edmonds, W. Mount, R.C.Woodville, D.G. Blythe) is analyzed. Art, as some of the artists thought, was destined to reflect nature. It was connected with ideology.

 

 

7. Marina Pereverzeva

Tchaikovsky State Conservatory, Moscow, Russia

Songs of the Real Men or Music in the Cowboy Life

 

Cowboy folklore preserved a living experience of the hard herdsmen’s work and embodied historic events of a Frontier development. An original and exciting cowboy song narrates about the lives of Wild West explorers, the small handful of which contributed a great deal to the folk music of America. It was widespread in the second half of 19th century mainly in the South-West states. Folk songs sounded till the middle of the 20th century, served as a basis of the country style in music and continued developing in this musical culture. The presentation sets out to explore the main genre and stylistic features of the cowboy song in the end of the 19th and beginning of the 20th centuries, springing from its emergence out of cowboys milieu.

 

 

Section 3. American Drama

Coordinator Dr. Maya Koreneva (Gorky Institute of World Literature, Moscow, Russia)

 

1. Galina Kovalenko

St. Petersburg State Theatre Arts Academy

Civilization Kills Nature (Edward Albee’s The Goat or Who is Sylvia?)

 

The play is a parable about losses to which civilization leads. This is a commentary of private life which reads as a projection of spiritual values. Destruction of nature destroys them. The central metaphor of the play is the absurd love of the protagonist to a goat. His love does not signify bestiality but a bankruptcy of matrimonial love as a result of social constraints on feelings.

 

2. Valentina Kotlyarova

Chelyabinsk, Russia

Nature in Philosophy and-Art of Edward Albee

 

Nature in the dramatic art of E. Albee possesses not an earthly but cosmological character. Each of his plays is an extension of artistic chronotope, creation of original philosophic-and-aesthetic models of life. In the presentation special attention will be given to the  abstract-and-fantastic dramas – Tiny Alice (1964), Seascape (1974), The Man With Three Arms (1983), Three Tall Women (1994), The Goat, or Who Is Sylvia? (2001).

 

Section  4. Culture in Union with Nature: Multicultural Perspective

Coordinator Dr. Aleksandre Vaschenko (MSU, Moscow, Russia)

 

1. Tatyana Alentieva

Kursk State University, Russia

Indian Stereotypes in the 19th Century and President Andrew Jackson’s “Indian” Policy

 

Stable negative stereotypes of the Indians were formed from the beginning of European settlement in the North America. European conception about “good savage” living in the harmony with nature in the American cultural interpretation expressed the form of the historical cultural discussion about civilization and savagery. There was a projection of deep ethno-cultural and racial differences between the Old and New World in the dichotomy our/another. The attempts creating the image of the “noble savage” made by such writers as F. Cooper, H. Longfellow, W.G. Simms and painters of the “school of Hudson River” were not in sympathy with public opinion. Indians were stereotyped negatively as savage antagonists, ignorant pagans, deceitful and crafty men. The attempts of the Indian tribes as the Cherokees to accept the European civilization: commercial agriculture, Afro-American slavery, republican government, English education and culture, Christianity, didn’t give them an opportunity of adaptation into the American ethno-cultural space. President Andrew Jackson based on negative Indian stereotypes when he proclaimed the policy of the removal of the Indian tribes behind the Mississippi River. This policy was one phase of the whites’ westward expansion, frontier movement, ultimate conquest and extermination of the Indian tribes, occupation of their lands under the slogan “Manifest destiny” to the end of the 19th century.  

 

2. Liisa Steinby

Turku University, Finland

Empiristic and Mythical Encountering of Nature in Leslie Marmon Silko’s Ceremony and Louise Erdrich’s Tracks

 

Both in Silko’s and Erdrich’s novels, the Western (European-American) encountering with Nature and, along with it, with other human beings is opposed to the native American view of the Nature and man’s position in it. In Silko’s Ceremony, the protagonists’ seek in the ancient myths and rites a resort from the pressures caused by the “Western” way of thinking and acting, but this ultimately proves to be powerless means to save their integrity. In Erdrich’s Tracks, the Western rational-empirical thinking is depicted as being in a similar opposition to the Western, that means, Christian religion as to the Native American myths and religion. However, in both novels, the description of events as such follows the “normal” course of realistic representation which accords with the modern European-American empiricist and rational view of the world; the mythical elements appear only as part of the world view of some particular characters in the novels and are clearly separated from the narrator’s point of view. Therefore, despite myths and magic being an essential part of the topic, the world is not as such presented as mythical and magical, as it is the Latin American Magical Realism, but myths and magic are described “ethnographically” as a specific world view represented by some individuals and groups only.

 

3. Oksana Danchevskaya

Moscow State Pedagogical University, Moscow, Russia

Concept of Soul among North American Indians

 

Soul is probably the most vital notion in any religion, though ideas about it vary greatly. The concept of soul accepted by a particular people helps to understand its world view as it encompasses several cultural layers at the same time. The greatest attention is usually paid to the processes happening with soul after death, though the special features of its lifetime existence are no less interesting.  Those aspects became the central research issue in our presentation on the example of several North American Indian tribes. 

 

4. Irwin Weil

Northwestern University, Evanston, USA

Cowboys and Cactus

 

How "the Wilderness Alliance", a recently formed group of citizens and politicians, are working together in the State of New Mexico to preserve some of nature's beauties and gifts in what what used to be called "America's Wild West" .

 

5. I. M. Udler

Chelyabinsk State University, Russia

Peculiarity of Interpretation and Functions of Nature in the African American Slave Narratives 

 

The author of the paper analyses the descriptions of nature in the slave narratives of the 18–19th centuries, their meaning, evolution and functions. Brilliance and abundance of African nature as a symbol of the fine historical Native land in the eighteenth-century slave narratives was replaced in the nineteenth-century slave narratives by the image of the American forest as a real danger to the fugitives, the nearly insurmountable barrier between slavery and freedom. The slave narratives’ authors reject the romantic image of nature as a symbol of freedom and contrast it with a space of city elevating hopes of liberation. 

 

6. Elizaveta Maslova

Evsevyev State Pedagogical Institute of Mordovia, Saransk, Russia

The Magic of Nature in the Novel Sula by T. Morrison

 

The paper reviews the descriptions of nature and its function in the novel Sula (1973). The image of nature is many-sided. The author's use of mythological symbols reveals the mystical interconnection of nature and faith as an integral part of African American identity.

 

7. Natalia Vysotska

Kiev National Linguistic University, Ukraine

Nature Vs. Civilization in Tony Morrison’s A Mercy

 

The paper sets out to explore different textual levels where the opposition “Nature vs. Civilization” operates in Tony Morrison’s latest novel A Mercy (2008) (Russian translation – 2009). By setting the novel in late 17th c. America, the renowned author legitimizes her decision to write a parabolic work voicing her critique of American civilization’s beginnings. The opposition of nature and civilization common for Western culture of the Modern Period and originally treated in American discourse, plays a substantial part in the novel’s strategies aimed at generating its meanings. This topos unfolds on various levels – the book’s plot, characters, narrative, architectonics, and style. The category of “natural” in the novel is correlated not solely with allegedly virgin scenery of the new continent, but also with “primitive” Others, primarily two females – African American Florens (“blooming”) and Native American Lina, as well as with every character’s inner essence.

 

8. Yuri Stulov

Minsk State Linguistic University, Belarus

In Search of the Road to the Jordan River: Sorrows of Young Jordan

 

The presentation deals with the novel Trouble the Water by the famous African American writer and literary critic Melvin Dixon. The central image of the novel is the Pee Dee River in North Carolina that arouses associations with the Biblical Jordan River. It acquires a metaphorical meaning combining the past and the present, transcendence and deliverance.

 

9. Boris Penkov

University for Tourism, Moscow, Russia

Educational Discourse: Multiculturalism

 

10. Marina Pereverzeva

Tchaikovsky State Conservatory, Moscow, Russia

To Contemplate and Imitate Nature:  John Cage, Composer Who Imitated Nature

 

Nature served as a source of aesthetic beauty in the art of John Cage. Under the influence of Oriental philosophy and religion as well as American thinkers’ and poets’ ideas he stood a composer contemplating instead of a composer acting. Cage considered the purpose of music  to sober and quiet the mind, thus making it susceptible to divine influence, whereas the responsibility of the artist is to imitate Nature in its manner of operation. Hence there are principles of unintention, randomness, all-variability, indeterminacy, mobility, all-unity, simultaneous multiplicity, interpenetration of life and art, musical realization of which will be discussed.

 

11. Marina K. Bronich

Nizhny Novgorod Linguistic University, Russia

Nature and City in Saul Bellow’s Writing

 

Patently dominated by urban themes and cityscapes, Bellow’s prose brims with concealed and overt debate with the Rousseauist concept of Nature as the ultimate blessing and the only acceptable environment for human life.   Bellow’s characters recognize that life, primitive or civilized, works as a complex interaction between order and disorder, and that order and disorder exist as two dimensions of the same thing offering us different perspectives of the world. An idea that the only natural soul-awakening environment can be found in ones “own” world, whether natural or urban, permeates Bellow’s writing.

 

12. Elena Makarova

Vladimir State University of the Humanities, Russia

Nature in Sh. Anderson’s Book Winesburg. Ohio

 

The narrative space of the book Winesburg. Ohio (1919) embraces two images archetypal for the Middle West: a small provincial town and corn fields that surround it. The author depicts nature in the colorful impressionistic style emphasizing it contrast with the town. In the moment of mental breakdown heroes are moved by some mysterious internal force from the enclosed area of Winesburg to the open spaces of nature. The ‘peaks’ of hopelessness coincide with weather phenomena.

 

Presentation

Yana Sorokina,

Moscow State University, Russia

Georgia O `Keeffe: Flowers and Deserts

 

The concept of Nature is one of the most important in Georgia O `Keeffe`s аrt. The presentation focuses on the key images and motifs of the paintings of  the “grand-dame of American Modernism”.

 

Section 5.  Sustainability of Culture: Gender Perspective

Coordinators Dr. Larisa Mikhaylova (MSU, Russia) and  Dr. Nadezhda Shvedova

(RAS Institute of USA and Canada Studies, Russia)

 

1. Larisa Mikhaylova

MSU, History Department, Russia

1872 Presidential Campaign of Victoria Woodhull: Tilling the Turf for Gender Revolution

 

A little know historical fact of Victoria Woodhull running for President of the United States from the Equal Rights Party. Her candidacy attracted an unusual coalition of people, which included laborers, female suffragists, Spiritualists, and communists, among others. The one thing that they all agreed upon was that the government needed reform. She was definitely proclaiming a statement which became a source of support for the American  female suffragist activists working further for achieving the adoption of the 19th Amendment granting women their right to vote at last in 1920. Woodhull’s platform and her views on gender balance are analyzed in the paper.

 

2. Larissa Baibakova

MSU, History Department, Russia

"The Bible" for Emancipated American Women: the Role of E.C.Stanton in Shaping of the US Feminist Ideology

 

The presentation focuses on the views of Elizabeth Cady Stanton, which is now called the "mother of feminism." As one of the leaders of the civil rights movement, she became the author of numerous policy documents of feminism, the main provisions of which remain relevant even today.

 

3. N.A. Shvedova

RAS Institute of USA and Canada Studies, Russia

The 2010 Mid-term Elections in the USA: Gender Tendencies

 

The Americans elected a new House of Representatives and a third of the Senate. The election campaign was characterized by the following features: visible intensity; high cost of campaign; growing electorate dissatisfaction about current politicians from the both parties; essential envolvement women, particularly Republicans. (Republicans lost control over the both chamber of the USA Congress in the result of the 2006 mid-term election).

There is a noticeable number of women-candidates among Republican nominees who tried to get a Congress seat and a Governor post. Women-candidates were in the focus of the Mass Media attention. But improving of the economic situation was in the midst of the voters’ attention.

 

4. D.V.Shvedova

RAS Institute of USA and Canada Studies, Russia

Changes in Traditional American Family on the Boundary of Centuries

 

The number of marriages in the USA still remains the greatest among industrial countries. Still there were huge changes in this respect for the last 40 years. Since 1960s cardinal change of the situation in the USA concerning family and children has forced scientists of different ideological directions to consider this fact as important and deep one. Now there are several points of view on the further development of the institution of family in the USA. The reasons of change include acceleration of civilization development, employment of women in labor activities, technological

progress, change of gender roles in family, change of values towards individualism. Different factors of changes of family’s functions and structure are analyzed in this report as well as social consequences and  developing values orientations of the American society.

 

5. Lyudmila Tarasenko

RAS Institute of USA and Canada Studies, Russia

A Portrait of Republican Women in the 2010 US Elections

 

The paper analyses women – representatives of the Republican Party participation in the 2010 US elections. A record number of Republican women was running for the House and the Senate in November 2010. Republican women actively participated in state elections. A wave of running Republican women might have been inspired by Sarah Palin’s aggressive campaign in 2008. Despite the fact that 2010 hasn’t become a Year of Republican Woman, “mama grizzlies” claimed more influence in American political life in future.

 

6. Tatyana Komarovskaya

Minsk State Pedagogical University, Belarus

Nature in the American Women's Novel (Jane Smiley, Jane Hamilton)

 

7. Luybov Pervushina

Minsk State Linguistic University, Belarus

Nature as Reflection of the Personal Inner World in Contemporary American Women’s Writing (in works by S.Plath, E. Jong and A. Rich)

 

The reflection of images of nature in literature as always makes it possible to investigate into contemporary people’s feelings, emotions and aspirations. Nature, metaphors and symbols in literary works connect the inner world of the authors/characters with the real world and reflect the readiness of women to participate in the life of society. Repeated pictures of nature and metaphors in the works of different writers help to rethink the past events and to understand the role and place of women in contemporary society.

 

8. Natalya Denisenkova

Moscow State University of Railway Engineering, Smolensk, Russia

Gender Equity in Higher Education in the USA

 

The presentation overviews key issues of gender equity in higher education system, laying out a number of contradictions and disjunctions in policy efforts. The last decade has witnessed a significant increase in educational sphere development. Vast access to higher school opportunities may become a moving force for democratization process.

 

 

Section 6. Culture as Second Nature: Models of Coexistence in Modern Science Fiction and Fantasy

Coordinator Dr. Larisa Mikhaylova (MSU, Journalism Department, Russia)

 

1. Tatiana Gomozova

MSU Journalism Department, Russia

The Science-fiction Culture: Dragon Eating Its Tail

 

The key feature of the science-fiction culture is its links with our future. In SF products (which are based not just on author’s imagination but on scientific theories as well) the audience is given kind of development patterns, and often takes them not just as fiction, but as a program for the future reality in artistic form.

As a result, the science-fiction community becomes accustomed to the things that don’t really exist yet: blasters, androids and transgalaxy travels, for example.

However, some members of the SF community do exert real influence on the future: scientists, politicians etc. With their help, these fantastic scenarios seep into the real life. And then science-fiction authors have to run for dear life not to miss the future.

 

 

2. Larisa Mikhaylova

MSU Journalism Department, Russia

Human Culture on the Moon - Images from the USA and Russia of 2010

 

People just stepped on the Moon in the 20th century, now there is going multifold preparation for going there again and colonize it. But unless a long-lasting concept is adopted and takes root in the minds culturally, it might repeat the story of colonization on Earth. The images young generation writers do see and develop at present will be discussed on the material of NASA competition in April 2010 and Russian online competition “Zvezdy Vnezemelya” (“Stars of Beyond”).

 

3. Anne-Marie Corley

Massachusetts Institute of Technology, USA

E-readers: a Leap to the Future, or Simple Artefact?

 

Electronic books have charged out of the pages of science fiction novels and into our everyday lives. In America, as in Russia, they have become commonplace items in our daily routines: used on planes, in trains and cars, even at home.  

What do they reveal about human nature? Does their use spell the end of serious, deep reading? Does electronic reading shorten our attention span? Do we value electronic text and paper text equally? How important is the feel of holding a real book in our hands? The most important question to answer is whether we are seeing the next generation of reading culture--just as when humanity switched from earthen tablets, to vellum, to paper--or if electronic readers are simply new artefacts in an increasingly technological world. Can we even call them books?

 

4. Maria Ivanova

Moscow State University

Nature and Civilization – Implacable Enemies (on Kurt Vonnegut’s non-fiction)

 

Philosophical concepts of ecological ethics insist that modern civilization puts a fatal harm to the nature. American writer and humanist Kurt Vonnegut doesn’t deny it, but at the same time he believes that the nature in its turn is inimical to the human beings. She answers with hurricanes, floods and incurable diseases to deforestation, draining of wetlands and nuclear waste burial. The Earth seems to be Eden from a plane window – or from the board of a flying saucer; actually a continuous struggle between Nature and human beings goes on there. The paper sets out to explore the theme in Kurt Vonnegut’s non-fiction and ways he offers to solve the problem.

 

5. Evgenia Ozerova

TV Channel Moscow Region, Russia

Tolerance as a Measure of Humanity: Mutants in Barrayar Saga of Lois M. Bujold

 

6. Anna Selkina

MSU, Journalism Department, Russia

Which Life We Spread?: Humans Inhabiting an Underwater World in a Carolyn Ives Gilman novel  Arkfall (2008)

 

The action in the Carolyn Ives Gilman's novel Arkfall (USA, 2008) occurs on the planet, which is completely under water coverage. Development of such a world Gilman based on biology. For example, coexistence with the nature side by side allowed creation of a vehicle called ark, which is in fact a giant mobile cell and based on autopoiesis. In this work particular properties of society organization and life originality under the overhanging sea are considered.

 

7. Anna Lavrova

MSU, Department of Journalism, Russia

Transhuman and  Superhero (Damien Broderick fiction’s case study)

 

Damien Broderick wouldn’t be  surprised, if Star Trek, Terminator  and The Matrix turn into reality of the 24th century. To be posthuman we have to be first a transhuman and develop our body and mind. As a human first was a simian, so before posthuman it will be transhuman – this is the main idea of transhumanists and an Australian writer Damien Broderick. Based on the ideas of an American futurologist  Alvin Toffler and American computer scientist and science fiction author Vernor Vinge, who predicted to humanity technological singularity in 2030-2050 years, Damien Broderick names it «spike». Only after this moment transhuman will evolve into posthuman. And Damien Broderick in his science fiction presents our future. Superhero originating in American culture has a set of otherworldly facilities, used it to help people in difficult situations. Superhero and transhuman have some common features but whereas superhero fights evil, for a transhuman the ultimate goal is to become posthuman.

 

 

 

Section 7. Pre- and Postculture: the Natural and the Apocalyptic in the American Literature and Film

 

Coordinators: Ivan Delazari (St. Petersburg State University, Russia) and  Mikhail Oshukov (Petrozavodsk State University, Russia)

 

America’s fictional history in literature and film is permeated by themes that link the temporal boundaries of the American civilization. The Wild West, the Frontier, the New Eden and/or Adam are the most famous mythical signifiers for the beginning of history as a meeting of the virginal nature and multiple versions of culture transplanted from Europe. Either a clash between or a harmonious unity of the two is inherent in all those mythical patterns. The 19th century US literature, from Irving and Cooper to Melville and Thoreau, is particularly rich in speculative variations of such themes. By no means less attractive for the American mind are plots of the end of the world and postapocalyptic motifs complicated by a strong belief in the special role of the United Stated in global history. Widely spread in the 20th century, this belief was backed up by the world wars, proxy wars of the Cold War (Korea, Vietnam, Afghanistan), and other military activities of the US (Persian Gulf, Yugoslavia, Iraq), as well as by numerous natural disasters (hurricanes, earthquakes, etc.). It adds a global dimension to the apocalyptic vision in the American literature and film and allows for the transformation of the local into the universal; thus, the end of the American civilization appears as the end of the world. This development is also supported by the scale of the American popular culture export. Such movies as Francis Ford Coppola’s Apocalypse Now (1979, based on Joseph Conrad’s Heart of Darkness and Michael Herr’s Dispatches) and Steven Spielberg’s War of the Worlds (2005, based on Orson Welles’ radio show, which is based on the Herbert Wells’ novel), or the postmodern World War II novels (Joseph Heller, Kurt Vonnegut, Thomas Pynchon, William H. Gass, William T. Vollman), books about Vietnam (Michael Herr, Norman Mailer, Tim O’Brien, Leslie Marmon Silko), catastrophe narratives (Don DeLillo, Cormac McCarthy), etc., may well provide unique material for research into modes of artistic interpretation of the “before” and the “after” of history, culture, and civilization.

The conference panel will discuss the issues of interaction between the concepts of nature and apocalypse in the American culture are to be discussed. What did the natural landscape of the USA use to look like, and what does it look like at the imaginary end of civilization? What is the relation and/or proportion between Nature and Culture in the intersubjectively shared beliefs as rendered in literature and film? Is there succession or conflict involved here? What are the patterns of cause-and-effect relationship between the present, the past and the future, as highlighted by fictional discourse, if the American letters once naturalized the case of “the beheaded” time (Sartre), i.e., no sequel and no future, while the Apocalypse also implies the end of time? What religious and philosophical terms should be used to adequately reveal and describe such phenomena in the American texts? What can the post-theories (Postmodernism, Postindustrialism, Postcolonialism, etc.), as well as the history of ideologies and minority discourses tell us about that?

Papers focusing on empirical texts, comparative discussions of literature and film, parallels drawn between texts of different eras (e.g. the 19th and 21st centuries), studies of popular culture are most welcomed by the panel organizers.

 

1. Irina Golovachova

St. Petersburg State University, Russia

Evolution, Revolution, Degeneration as Cultural Patterns in the American Apocalyptic Fiction

 

The paper speculates on American fictional representations of the three patters of biological and social development of the Earth all of which originated in the XIX century. Possible scenarios of apocalypse are analyzed; evolution - gradual  progressive development; involution, regressive development or degeneration, and, finally, revolution, being the radical dramatic change, abrupt misbalance caused by alien invasion, global catastrophe causing various anomalies including biblical Armageddon and zombie incursion.   

 

 

2. Mikhail Oshukov

Petrozavodsk State University, RussiaTurku University, Finland

“The Patmos of Thought”: R.W. Emerson’s Apocalyptic Rhetoric

 

The paper focuses on the specifics of the realization on nature and apocalypse motifs in prose and poetic writings of R.W. Emerson. The analysis of Emerson's rhetoric, and in particular his use of Bible imagery, allows us, on the one hand, to better understand the Transcendentalist vision of the world and of the artist's position in the world, and on the other hand to trace the further development of nature and apocalypse motifs in the American literature of the XX century.

 

3. Irina Morozova

Russian State University for the Humanities, Moscow

Eden and Apocalypse in Women’s Fiction of the Old South

 

The perception of  the  social and cultural history of the Old  South by white Southerners of that time  in many ways  represents the  biblical pathway of  the mankind  from Eden, as a primordial paradise of perfection  towards  the  Apocalypse,  both an end and a new beginning. The secession  and the formation of the  Confederacy was viewed as the actualization of the biblical prophecy of the triumph of God over the  sins of the old world – the Old republic  with the “money-grubbing” , “hypocritical” abolitionists and Yankees who  “were guilty  of the deviation from God’s stern instructions” (B. Wyatt-Brown).  Southern women of letters were effective proponents of this model. Their fiction and diaries of 1820-40’s portray the South as the Land of Eden with shady trees and its happy people, while the women’s writings of 1850-60’s contain the apocalyptical versions of the struggle of a new civilization launched by the secession. Women writers’ depiction of the Southern society demonstrates the significant dichotomy of the Southern mind, whose sympathies had always been divided between Christianity and Ancient world ethics.

 

 

4. Douglas Robinson

Lingnan University, Hong Kong

The Mnemovorous Apocalypse in Steven Hall’s Raw Shark Texts: A Postmodern Moby Dick

 

Melville’s Moby-Dick is widely recognized as the classical 19th-century American novel that is most powerfully steeped in apocalyptic imagery: Ahab is a demonic god-figure; the whale is a white devil figure; the Pequod is a microcosm of the world, and when in the end the Pequod is destroyed, in some imagistic sense the world is destroyed. As I argued in American Apocalypses (1985), of course, the fact that Ishmael survives to tell the tale is a strong suggestion that Melville is not predicting (let alone hoping for) the apocalyptic destruction of the world; and indeed a close reading of the novel shows that Melville structures his plot so as to predict and celebrate the continuation of human history. Steven Hall’s 2007 novel The Raw Shark Texts is “apocalyptic” in many of the same imagistic ways, and in fact is saturated with allusions to Moby-Dick. What I will explore in this paper, however, are the ways in which the “world” that is destroyed in the novel is not so much the microcosmic whaling boat that Hall has his characters create, modelled explicitly on the Pequod, as it is the world as remembered—which is to say, the world in memory. The “mnemovorous apocalypse” in my title is intended to suggest that what Hall’s novel “destroys” is not so much the world as it is the memory’s ability to retain a composite working image of the world. Since the memory is also the human faculty on which story-telling (and thus novel-writing) is based, what makes Hall’s novel a postmodern apocalypse is that the apocalypse in it destroys (or at least radically undermines) our ability to tell or understand a story.

 

5. Yuri Stulov

Minsk State Linguistic University, Belarus

Apocalyptic Vision of the World in Contemporary African American Fiction

 

The paper will examine the peculiarities of the apocalyptic vision of the world in the work of such diverse African American writers as J. Baldwin, M. Dixon and R. Kenan. The world of the black ghetto in which their protagonists are isolated is opposed to the world of Nature which lives according to its own laws.

 

6. Olga Panova

Lomonosov Moscow State University, Philology Department, Russia

American Boom of the Dead: T. Morrison The Bluest Eye, D. Delillo White Noise

 

T. Morrison and Don Delillo create a nightmarish apocalyptic landscape of a small town. Both writers combine realism, social criticism with metaphysical quest and parable. The novels explore American subconscious, phobias and obsessions, fear of death and “Todestriebe”. Different scenarios and setting – a black ghetto and a prosperous middle-class community – help to define American image of apocalypse and death-in life.

 

6. Vladimir Prozorov

Karelian State Pedagogical Academy, Russia

Paul Auster’s “Postapocalyptical” Novel In the Country of Last Things (1987)

 

The paper discusses the peculiarities of Paul Auster’s novel in comparison with the clichés of the mass culture postapocalyptical novels and films. Unlike them, In the Country of Last Things focuses not on the global catastrophe, but on the effect of the extreme conditions on psychology and morale of an individual human being. Instead of depicting the hypothetical future disaster, the novel turns to the historic past of the 20th century. The nameless city in the novel reflects the cruel reality of death-camps, ghettos, and the slums of an inner-city in a present-day American megapolis. In spite of the grim contents, the novel suggests the opposition to the total destruction which is based on traditional humanistic values of love, fortitude and hope.

 

7. Daria Dmitrieva

Russian State University for the Humanities, Moscow

Apocalypse and Nostalgia in Alan Moore’s Graphic Novel Watchmen and Its Adaptation

 

The presentation deals with Watchmen, the most well-known graphic novel by Alan Moore. It is a story of good intentions, Armageddon, and the brave new post-apocalyptic world. It is a reflection both on World War II and the Cold War. The 2009 film adaptation has added new aspects to this work. The idea central to my argument is that the image of America was projected by the novel and the movie from two different perspectives. They set two figurative horizons: one starting from 1985 and extending well into the apocalyptic future and the other beginning in 2009 and oriented retrospectively towards the nostalgic past. Each chapter of the novel is full of intense apprehension of an apocalypse, each moral choice is incorrect, and each character is odd. The main mood of the movie is nostalgia, melancholy over a world which is already in the past.  Apocalypse in the film is presented as an impossibility of a return to the past, to good old America, a country of freedom, which, as it turns out, never existed. Both works are self-sufficient, but their inner dialogue gives us a chance to see America from two angles at the same time, so that at their intersection we can catch a glimpse of America undergoing the crisis of its own ideals.

 

 

8. Ivan Delazari

St. Petersburg State University,  Russia

Culture’s Nostalgia vs. Postapocalyptic Sentiment: William Faulkner’s Go Down, Moses and Cormac McCarthy’s The Road

 

Cormac McCarthy’s late rise to public acclaim after The Border Trilogy has culminated in his Pulitzer Prize winning 2006 novel, The Road, being selected for Oprah’s Book Club, made into a film and listed as one of the ten best novels of the 21st century. In his very first TV interview in Oprah Winfrey’s show, McCarthy mentions William Faulkner in a manner that suggests his strong allegiance to and even deliberate self-modeling on that literary predecessor, from whom he inherited not only his editor Albert Erskine at Random House, but, as critics argue, many of his themes and techniques. Contrasting Faulkner’s Go Down, Moses (1942) to The Road rather than drawing obvious parallels between them, I will argue in my paper that the end-of-the-world motif manifests itself in the former as Culture’s nostalgia about Nature gone/passing away, and in the latter as postapocalyptic sentiment aiming to overcome the totality of loss of both Nature and Culture. Fatherhood and (wo)manhood, technology and motion, God and man, regionalism and universalism, time and space in both novels will be subject to analysis to demonstrate somewhat peculiarly American visions of the awkward backward moves of mankind’s history. Written from before Pearl Harbor (Faulkner) to after 9/11 (McCarthy), the two novels are no less products of history itself than of their authors’ shared beliefs; read along each other, though, Go Down, Moses and The Road suggest that the timeline may in fact be a circle, just like the world is a globe, and that Ike McCaslin’s look into the past might well encounter the eyes of the boy on the road staring into the postapocalyptic future.

 

 

Section 8. Mutual Influence of American and World Culture

Coordinator Dr. Tatyana Belova (MSU, Russia)

 

1. Galina Alekseeva

The Leo Tolstoy Museum-Estate at Yasnaya Polyana, Russia

Philosophy of Natural Life by Henry Thoreau in Tolstoy's Work and Life

 

2. Boris A. Rivchun

State Classical Academy, Moscow, Russia

Mutual Influence of Russian and American Musical Culture

 

 

3. Tatyana Belova

MSU, Department of Philology, Russia

Vladimir Nabokov as Translator and Commentator of Alexander Pushkin’s Novel in Verse Evgeny Onegin: How to Preserve a “Kernel” of Culture in the Environment of Another Language

 

Dissatisfied with the lack of Pushkin's Eugene Onegin adequate translation (he was in a great need of it as a Russian literature lecturer in the USA) V. Nabokov within a fifteen years period (1949-1964) did his best to create its English version as well as his immense magnificent commentary to it. His concept and the main principles of poetic translation were reflected in a series of articles published in 1940-60s in American academic periodicals. According to it the translation of ''Eugene Onegin'' should not be paraphrastic, but very exact, accompanied by commentary giving an  attentive reader only the precise information about the ''thing of beauty''. As a result V. Nabokov managed to have preserved the cultural essence of Pushkin's masterpiece and exposed its artistic and cultural value to the American audience. After that new paraphrastic translations came into being (e.g.,Ch. Johnston's, 1977) preserving its authenticity and taking Nabokov's commentary and some of his achievements into consideration. Thus Nabokov's translation of ''Eugene Onegin'' and his commentary have made a valuable contribution to American Pushkiniana.

 

4. E. A. Smirnov

Linguistic University of Nizhny Novgorod, Russia

Nature, Environment and Jack Kerouac’s Buddhist outlook in Dharma Bums

 

Jack Kerouac’s profound fascination with Zen Buddhism and Eastern religious philosophy produced a sizeable impact on his fiction. The report is aimed at main concepts, motifs and scenes typical of Kerouac’s “Buddhist» novels. The peculiarities of the characters’ perception of nature and the effects of the paradigm shift towards Buddhism on author’s philosophy are shown.      

 

5. Natalya Golovanova

Kyiv-Kharkiv, Ukraine

From Human Nature to the Culture of the USA-Ukrainian relations. Travelogue Love is Blooming Lilac

 

The theme "Women at War, a woman in extreme conditions" is very popular among contemporary American journalists and in cultural studies. In 1996 Producer Noel Denner, journalist Jan Sherbin and translator  Alexander Ethlyn created a film Under Fire about Soviet Ukrainian female veterans and it turned out to become a revelation for American viewers. In Ukraine the film was presented for the first time  in May 2010. Ukrainian tour with the film of the journalist Jen Sherbin turned into two weeks of her new acquaintance with Ukraine. Witnessing everyday life of people from different social strata,  unprecedented changes in the appearance of Kiev in the past 10 years, anniversary Victory parade in the Ukrainian capital on the 9th of May 2010, interviews with veterans, acquaintance with  the exhibits of the Museum of the Great Patriotic War in Kyiv, getting to know Ukrainian journalists, political analysts and government officials, educators, students, visiting the regions of the country formed the basis of Jan Sherbin’s photocollections Ukraine-2010 and travelogue Love is Blooming Lilac by the author of this presentation.  All that allows to make fresh observations concerning the interpenetration of American, Ukrainian and Soviet culture.

 

 

Section 9. Canada: Nature, Culture, Person

Coordinators Dr. Vadim Koleneko (RAS Institute of World History, Russia) and Dr. Elena Ovcharenko (MSU, Journalism Department, Russia)

 

1. Evgenia Issraelyan

Institute for US and Canada Studies, RAS, Moscow, Russia

Women's and Children's  Rights; Canada's Position

 

Canada  actively promotes   human rights and democratic values internationally.  The country participated in drafting and implementation of  the Universal Declaration on Human Rights and the  international covenant on civil and political rights. Recently this area became one of the niches of Canadian foreign policy. The country has signed practically all international human rights conventions. The key attention is given to women's and children's rights. 
 

2. Liudmila Nemova

Institute for the USA and Canada Studies, Russian Academy of Sciences, Moscow

How the Performance of the Canadian  Health Care System Compares Internationally

 

Similarly to most economically advanced democracies (and in contrast to the USA), Canada’s health care system is based on the principles of universal accessibility to the quality medical services for all citizens and legal immigrants. This paper presentation describes the specific features, strengths and weaknesses, which are mirrored in the various Canadian and international statistical sources and analytical studies. Some comparisons with the Russian health care system are also made. Despite the problems and concerns, most of Canadians support the basic principles of universal accessibility and appreciate the national health care system (especially when it is compared to the highly commercialized, extremely costly and unequal system in the neighboring United States). At the same time, most citizens, medical professionals, health care experts and politicians agree that measures need to be taken for containing costs, reducing waiting times for primary care and treatment in the hospitals, implementing electronic health records and improving coordination between various institutions of the public medical care system.

 

3. Valentina Kozhemyakina

RAS Institute of Linguistics, Moscow, Russia

Language Distribution in Canada According to Census of 2006

 

Canada is a unique example of the country that witnessed a long-lasting  standoff of the two world languages: English and French. Besides Anglophones  and Francophones there are representatives of various peoples and  nationalities speaking 200 languages in the country. They are migrants and representatives of indigenous population of Canada.

Taking into consideration the multinational composition of Canada the country’s leaders came up with the idea of shaping a multicultural society. The model implies coexistence of a variety of subcultures and traditions on the basis of mutual respect, interaction and mutual benefit.

The model of multiculturalism was declared a national idea. It made building up of multicultural society a basic objective of the governmental policy. Canada doesn't only carry out the official policy of multiculturalism, it also provides appropriate legislative and budgetary support for it. In 1988 Canada passed Canada's Law on Multiculturalism that has no analogies in the world.

 

4. Vasily Klokov

Saratov State University, Russia 

Nature of America in the Mirror of French Canadianisms  

 

The report covers the linguocultural model of adjustments in French-Canadian frame of mind and Canadian French to represent American environment. It displays the peculiarities of local vocabulary development in different periods of history when French Canadians were exposed to American realities: in pre-colonial times, in the epoch of New France and at a modern stage. It describes the following categories of regional vocabulary - obsolete words of early French (archaisms) as well as Canadianisms among which one can single out Indianisms, Anglicisms, and lexical and semantic neologisms derived from French. 

 

5. Anton Uchaev

Saratov State Socio-Economic University,  Russia

Ecological Issues within a Frame of the Сanadian Federal Centre and Provinces Interaction

 

Interaction between the federal centre and provinces which is one of the major issues in Canadian society is examined in this lecture from an ecological perspective. The main goal of this research is the analysis of ecological policy in Canada, particularly authority distribution between Ottawa and provincial governments and exploration of existing contradictions and ways of their overcoming.

 

6. Alina Porokh

Volgograd State University, Russia

The Russian-Сanadian Initiatives on Keeping Sustainable Development of the Arctic Region

 

Russia and Canada are longtime allies on many aspects of international cooperation and geographical neighbors in the Arctic basin which became the source of mutual distrust. The conflict of interests is connected with the reclamation for the area which is rich with oil and gas. On the other hand, Arctic region is the global environmental resource of the planet, it is an important part of global climate system. As a result of it the ecological role of the Arctic Region comes into conflict with its value as a resource supply.

The Arctic Region is a region of international value and special interests of the world community. Therefore, cooperation of the subarctic states should be directed to developing a uniform policy and integrated international programs based on ecological approaches priority, Russia and Canada should settle down to a course of assuming preventive measures on keeping sustainable development of the Arctic Region and biosphere as a whole.

 

7. Ekaterina Isayeva

Russian State University for Humanities, Moscow, Russia

North America Exoticism in F.-R. Chateaubriand’s Oeuvres

 

 

8. Vadim Koleneko

RAS Institute of World History, Russia

Person and Nature in Charles Roberts' Prose

 

Widely known in Canada as a poet and writer, Charles George Douglas Roberts became popular also among readers of our country due to numerous translations of his stories about animals. Alongside with Ernest Thompson Seton, Jack London and James Oliver Curwood he is considered one of the founders of animalist tradition in a world fiction. His creativity, especially in prose, is almost entirely devoted to realistic display of the Canadian fauna of last third of the 19th –first third of the 20th centuries, but unlike in stories of other writers of this trend in literature, humans in his creativity never played a self-sufficient role, carrying out rather the subsidiary function only additionally stressing the value of animal world. Those few characters that nevertheless occur in his stories are not heroic at all and only confirm his denunciation of anthropocentrism. People in his prose rather resist nature rather than are part of it. Wild animals, on the contrary, are quite self-sufficient heroes of his stories with their instincts naturally keyed to its rhythms. Such depiction  conveys to the antinomy “person versus nature” instead of metaphysical quite realistic character.

 

9. Renata Kryukova

Sibay Teachers College, Bashkortostan, Russia

Mastering the Canadian North at the Beginning of the 20th century in the Works by Jack London: Truth or Fiction?

 

The history of developing the Canadian north at the beginning of twentieth century was mostly history of mining gold, connected with life of the gold-prospectors, forming by then the majority of population. One of them became later a famous American writer Jack London. On July 25 1897 he boarded of the nave “Umatilla” together with a hundred of other luck-hunters. He got the experience upon which he wrote his stories about Canadian North. In the paper we compare works of Jack London with diaries and memoirs of other gold-prospectors of this period since 1896 till 1906 to find out what is truth in them and what is it fiction.

 

10. Elena Ovcharenko

MSU, Journalism Department, Russia

Robert Falherty’s Canada

 

Flaherty’s name is well known in the cinema world. He was the author of a large number of documentaries, the founder of non-fiction film’s genre (Nanook of the North, 1922). The eldest son of the mining engineer, he spent with his family many years in Canada and began to make there his first films. Besides that, the Robert Flaherty collection of Eskimo (Inuit) carvings, one of the finest in North America, was made during the visits of the great film producer to the Canadian Arctic in 1910–1916 and then, in 1920 – 1922, to the North of the USA. Today the famous Flaherty collection belongs to Toronto Museum of Fine Arts (Canada).

 

 

11. Irina B. Arkhangelskaya,

Nizhny Novgorod Commercial Institute, Russia 

Civilizations and Technologies in the works of Arthur Kroker

 

The influence of information technologies and new media on society, nature and people – are the main problems in the works of the Canadian scholar, professor of Political Science from the University of Victoria, BC and Director of the Pacific Centre for Technology and Culture) Arthur Kroker (1945 - ).

A. Kroker, who is named «McLuhan of the nineties… the most interesting thinker about culture and technology that this country has produced since Marshall McLuhan» and «XXI century Marx» – is a rather controversial personality. In his youth he planned to become a clergyman, but later got interested in «leftist» radical ideas, which were popular with the young generation of the 60s.

As McLuhan, Kroker was not recognized in the academy but his works became popular far beyond university. Kroker’s style may be called McLuhanistic. Several Kroker’s projects are vivid examples of postmodernist culture.

Kroker has played a great role in developing media sociology studying the transformation of the people’s nature under the influence of new media technologies.

 

12. Konstantin Romanov

MSU Department of Foreign Languages and Region Studies, Russia

Mankind and Nature in Ancient and Modern Culture of British Columbia

 

The relationship of mankind and nature has become one of the hottest issues in the world today, due mainly to the environmental challenges of the new century. It is important in this respect that the relation of people to nature has been altering in course of time. This relation is varied in different cultures. The history of Canadian West populated by various ethnical groups shows a range of different models of human relation to nature.

 

13. Ilya Sokov

Volgograd State University, Russia

The Role of Alaska-Canadian Highway (ALCAN) in Acceleration of Lend-Lease Deliveries to the USSR during the Second World War

 

The author of the article opens the little known pages of historical cooperation between the USSR and the United States in the Second World War, when Americans helped by supplies of heavy and military technical equipment through Alaska. Americans built Alaska-Canadian Highway for this purpose, along with intermediate aerodromes and the oil-pipe line, needed for petroleum refining into aircraft gasoline. Thus construction of Alaska-Canadian Highway provided important support in fulfilling the Treaty of Lend-Lease Supply.

 

14. Olga Fedosyuk

English Lingua Centre, Moscow, Russia

Nature as a Source of Canadian Identity: from Howard O’Hagan to Douglas Coupland

 

Nature is one of the most important components of Canadian identity. Many 20th century English Canadian writers treated nature, contrasting it with urban civilization; it was nature that they identified Canada with. In our paper, we are going to trace the process of interpreting nature in the 20th century English Canadian fiction from O’Hagan’s classic novel Tay John (1939) to Douglas Coupland’s novels of the 1990s.

 

15. Evgeniya Timoshenko

MSU, Journalism Department, Russia

Jean Charron as a Researcher  of Canadian Mass Media

 

Jean Charron is a Canadian Media researcher. In his studies Charron systematizes approaches of different scientific schools that developed theories of mass communication in the 20th century. Charron is a partisan of the integral approach, where the journalists’ sources of information in particular are regarded as the sources of impact. On the basis of the discourse analysis, the Canadian Media researcher arrives at his own conclusions about manipulation in the media environment.

 

16. L. Vedenina

Moscow State University of International Relations, Russia

Fauna in Lingvo-Cultural Space of Francocanadians

 

Round table     Imprints: Image of America and Image of Russia

Coordinator Dr. Yassen Zassoursky (MSU, Journalism Department, Russia)

 

Gretchen Simms

Vienna University, Austria

The Influence of American Culture on the Soviets during the Thaw: America Magazine, The American National Exhibition and Soviet Art

 

Ada Baskina

MSU, Journalism Department, Russia

American Self Health Care Culture

 

Generally Americans  are healthy. Usually it is explained by the young age of the nation. First colonists were mostly young and strong. However modern Americans do a lot for maintaining high level of their health. Today culture of self health care includes prevention  from cold ( ice water and beverages; uncovered heads even in freezing weather; swimming). Americans drink a lot of water ("Water is life" – a popular billboard inscription). Sports is a significant part of most families’ lives. Russian immigrants found that they suffer from high blood pressure and heart diseases much more often than the locals. The reason is dieting and nourishing food. Americans’ overweights (obesity) are a separate topic.

 

 

Round table discussion: Anton Chekhov’s 150th Anniversary

Coordinator Dr. Maya Koreneva (Gorky Institute of World Literature, Moscow, Russia)

 

Galina Kovalenko

St. Petersburg State Theatre Arts Academy, Russia

Chekhov and American Theatre

 

Chekhov has influenced American Theatre on several levels. O’Neill, Tennessee Williams, Miller, Albee, Mamet develop his traditions using subtext, undercurrent of the plot, musical structure of form and text. Chekhov has also influenced the staging and acting.

As a rule, formal parallels with Chekhov’s plays take place, adapted to the American model of a standard play.

 

Maya Tugusheva

Moscow, Russia

Social Utopianism in the Work of Anton Chekhov